Filmography
Known for his avant-garde and surrealist style, Buñuel’s filmography includes a mix of short films, documentaries, and feature films that often challenge societal norms and explore complex themes. Buñuel’s films are celebrated for their innovative storytelling, bold visual style, and the way they provoke thought and discussion. His legacy as a master of surrealist cinema remains influential to this day. Here you can find most of his work and where to view them.
1930
L'âge d'or ( The golden age)
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
1933
Las Hurdes / Land without bread
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
1947
Grand Casino
After the mysterious disappearance of an oil well owner, one of his workers, Gerardo assumes the business management. Soon, the owner’s sister arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened.
1952
A Woman withouy Love
After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son’s biological origin.
1952
Subida al cielo (Mexican Bus Ride)
Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.
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1954
La ilusión viaja en tranvía (Illusion Travels by Streetcar)
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to “take ’er for one last spin,” as it were. Unfortunately, the “one last spin” ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the “borrowed” Streetcar!
1954
Wuthering Heights/ Abismos de Pasion
Gone several years, the brooding Alejandro returns to the hacienda of his foster sister, Catalina, whom he loves, to find her married to the wealthy and effete Eduardo
1955
El Rio y la Muerte
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn’t left the village and is waiting for the doctor to come “home” as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
1956
Cela s'apelle l'aurore (That Is the Dawn)
A generous doctor is aghast that the population of a small island is being oppressed and mistreated, but is seemingly unable to do anything about it, until the arrival of a young woman and the death of one of his friends prompts him into action.
